Robert Edward Mitchell
Marcello Lotti Professor of English
Robert Mitchell's research focuses on relationships between literature and the sciences in the Romantic era, as well as contemporary intersections among information technologies, genetics, and commerce, especially as these have been played out in the legal, literary, and artistic spheres. His most recent work has focused on the theory and practices of experimentation in both the arts and sciences, the history of vitalism, and the relationship between aesthetics and biological concepts of population. He has published three single-author monographs: Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity (Routledge, 2007), Bioart and the Vitality of Media (University of Washington Press, 2010), and Experimental Life: Vitalism in Romantic Science and Literature (Johns Hopkins UP, 2013). He is also co-author of the monograph Tissue Economies: Blood, Organs and Cell Lines in Late Capitalism (Duke UP, 2006) and the DVD-ROM Biofutures: Owning Body Parts and Information (U of Pennsylvania P, 2008). Mitchell is co-editor of several collections of essays, including Data Made Flesh: Embodying Information(Routledge, 2003), Romanticism and Modernity (Routledge, 2011), and Releasing the Image: From Literature to New Media (Stanford UP, 2011), and co-editor of the book series "In Vivo: The Cultural Mediations of Biomedical Science" (University of Washington Press). He has also published many articles in humanities, social science, and natural science journals, including Science, The American Journal of Bioethics, Biosocieties, Studies in Romanticism,and PMLA. His current research focuses on relationships among biopolitics, the logic of populations, and the arts.
- Ph.D. 2001, University of Washington
- M.A. 1995, University of California at Irvine
- B.A. 1994, University of Washington
Mitchell, R. Experimental life: Vitalism in Romantic science and literature. January 1, 2013.
Releasing the Image: From Literature to New Media. Ed. R Mitchell and J Khalip. Stanford University Press, 2011. (Edited Book)
Mitchell, R. Bioart and the Vitality of Media. University of Washington Press, 2010. (Monograph)
Mitchell, RE. Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity. Routledge, 2007. (Monograph)
Waldby, C, and Mitchell, R. Tissue Economies: Blood, Organs, and Cell Lines in Late Capitalism. Duke University Press, 2006. (Monograph)
Hygëia, or, Essays moral and medical: on the causes affecting the personal state of our middling and affluent classes. Ed. R Mitchell. Thoemmes Continuum, 2004. (Edited Book)
Semiotic Flesh: Information and the Human Body. Ed. R Mitchell and P Thurtle. University of Washington Press, 2001. (Edited Book)
Mitchell, R. "Population aesthetics in romantic and post-romantic literature." Constellations of a Contemporary Romanticism. January 1, 2016. 267-289.
Mitchell, RE. "Global Flows: Romantic-era Terraforming." British Romanticism and Early Globalization: Developing the Modern World Picture, edited by Evan Gottlieb. Lewisberg, PA: Bucknell University Press, 2014. 199-218. (Chapter)
Mitchell, RE, and Waldby, C. "National Biobanks: Clinical Labour, Risk Production, and the Creation of Biovalue (reprint)." Bioethics™. Ed. J Zylinska. 2013. (Essay)
Mitchell, R. "Bioart: Media, Evolution, Culture." Evolution Haute Couture: Art and Science in the Post-Biological Age. Ed. D Bulatov. BB NCAA, 2013. (Chapter)
Mitchell, R. "Bioart e biotechnologie dal punto di vista filosofico di Simondon." Il Divenire della Conoscenza: Estetica e contingenza del reale. Ed. A Long and R Masiero. Mimesis Edizioni, 2013. (Chapter)
Mitchell, R, Mitchell, R, Thurde, P, Mitchell, R, and Thurde, P. "Sell: Body wastes, information, and commodificationData made flesh: The material poiesis ollnlormaticsData made flesh: Embodying information (PublishedPublishedPublished)." Data Made Flesh: Embodying Information. January 1, 2011. 121-136. Full Text
Mitchell, R, and Khalip, J. "Release—(Non)Origination—Concepts." Releasing the Image: From Literature to New Media. Stanford University Press, 2011. 1-24. (Chapter)
Mitchell, R. "Cryptogamia." Romanticism and Modernity. Routledge, 2011. 199-219. (Chapter)
Mitchell, R, and Broglio, R. "Introduction: Romanticism and the New Deleuze." Romantic Circles Praxis Series: Romanticism and the New Deleuze. Ed. R Broglio. 2007. (Introduction)
Mitchell, R. "Beautiful and Orderly Systems: Adam Smith on the Aesthetics of Political Improvement." New Voices on Adam Smith. Ed. E Schliesser and L Montes. Routledge, 2005. (Chapter)
Mitchell, RE. "Response to George Teyssott, Key Points: Between Figure and Ground." Forty-Five: A Journal of Outside Research (2016). (Review)
Mitchell, RE. "Romanticism and the Experience of Experiment." The Wordsworth Circle 46.3 (2015): 132-142.
Mitchell, R. "US biobanking strategies and biomedical immaterial labor." BioSocieties 7.3 (September 2012): 224-244. Full Text
Conley, JM, Mitchell, R, Cadigan, RJ, Davis, AM, Dobson, AW, and Gladden, RQ. "A trade secret model for genomic biobanking." The Journal of law, medicine & ethics : a journal of the American Society of Law, Medicine & Ethics 40.3 (January 2012): 612-629. Full Text
Mitchell, R. "Simondon, Bioart, and the Milieux of Biotechnology." Inflexions 5 (2012).
Mitchell, R, Conley, JM, Davis, AM, Cadigan, RJ, Dobson, AW, and Gladden, RQ. "Genomics. Genomics, biobanks, and the trade-secret model." Science (New York, N.Y.) 332.6027 (April 2011): 309-310. Full Text
Experimental Life: Vitalism in Romantic Science and Literature awarded by National Humanities Center (Principal Investigator). 2012 to 2013
From Specimen to Biobank: Using an Organizational Perspective to Study ELSI Issue awarded by University of North Carolina - Chapel Hill (Principal Investigator). 2010 to 2012
Saywer Seminar - Phenomenology Between Mind and Media awarded by Andrew W. Mellon Foundation (Principal Investigator). 2010 to 2012
Biofutures: Owning Body Parts and Information awarded by Josiah Charles Trent Memorial Foundation (Principal Investigator). 2007